Found 5 Resources containing: Siegel, Jerry
Superman’s June 1938 appearance in Action Comics No. 1 gave birth to the superhero genre. Superman used his extraordinary powers to fight for “truth and justice.” The character’s popularity led to the creation of other costumed crime fighters such as Batman and Captain Marvel.
Recorded by Peter Siegel, Ralph Rinzler, Michael Seeger, Jerry Goodwin, Ed Kahn and John Cohen in New York.
Also issued as Disc 1113 (1964).
Recorded in New York (N.Y.), United States.
The Friends of Old Time Music were an organization founded in New York by John Cohen, Ralph Rinzler, Izzy Young and Margot Mayo to bring traditional American musicians to New York to perform.
With the departure of basketball star LeBron James earlier this summer, Cleveland has lost a superman. James was going to save the city as its native son, rescuing Cleveland from its economic woes. His image literally loomed over the city’s residents, on a multistory billboard that dominated downtown. Now, though, with James leaving the Cavaliers for Miami, Cleveland can focus on its first Superman—the one born on Krypton. In the past, the city has not given Clark Kent and his alter ego much attention, even though he was invented by two boys on Cleveland’s East Side. But that is changing, as the city is slowly beginning to recognize its role in creating the superhero who stood for “Truth, Justice, and the American Way.”
In 1933, Jerry Siegel and Joe Shuster dreamed up the comic strip hero with superpowers. Both boys were from immigrant Jewish families and lived down the street from each other in Glenville, then a booming, overwhelmingly Jewish, middle-class neighborhood, with kosher markets selling Yiddish newspapers on nearly every street corner. At the time, Cleveland was the fifth most populous American city, and a forward-thinking one at that, being the first to install public electricity and trolleys.
Siegel’s father first arrived in Cleveland as a sign painter, but he soon left that profession to open a haberdashery in a less prosperous part of town, only to die from a heart attack when robbers entered his store. According to Gerard Jones’ indispensible book Men of Tomorrow: Geeks, Gangsters, and the Birth of the Comic Book, the Siegel family was told that he had been shot in the chest. (Whether this incident was the inspiration for a bullet-proof superhero is unknown but seems plausible.)
Shuster’s family was not as wealthy as Siegel’s, so Joe, an obsessive artist, often sketched on tissue and other scrap paper. Both teenagers were awkward around girls, timid and obsessed with the pulp magazines of the day. According to Jones, Shuster would visit newsstands and pore over the magazines, particularly Amazing Stories, and then recreate them at home.
Judi Feniger, executive director of the Maltz Museum of Jewish Heritage, notes that Siegel and Shuster both exemplify the Cleveland immigrant story, as children of parents who may not have spoken English. They had a “working-class ethic that is particularly Cleveland, and particularly Glenville,” she says. In 2008, the museum hosted the exhibit “Zap! Bow! Bam!” about the creation by Jewish immigrants of Superman and other comic book heroes.
Siegel and Shuster met in high school; Siegel was the ambitious one. After the two came up with the idea of a comic book hero, he took control of the venture and concocted a romantic origin story for Superman. One sleepless summer night, as retold by Jones in his book, Siegel was struck by an inspiration: “I hop out of bed and write this down, and then I go back and think some more for about two hours and get up again and write that down. This goes on all night at two-hour intervals. [The next morning] “I dashed over to Joe’s place and showed it to him…. We just sat down and I worked straight through. I think I had brought in some sandwiches to eat, and we worked all day long.” By that night, the first weeks of comic strips were completed.
Whether or not this “Eureka!” tale is true (In Men of Tomorrow the author questions its accuracy), Siegel and Shuster did write the first Superman strips from their houses, and continued to do so even after they graduated from high school and became famous. (Siegel eventually moved out of the house in Glenville into one in the upscale neighborhood of University Heights, but began spending most of his time in New York, where he and Shuster eventually relocated.)
In 1938, they sold their hero to DC Comics for $130, which took the rights to the character. Superman soon became one of the best-known characters in the world, but Siegel and Shuster received no royalties or benefits from their creation. Unable to support themselves with their comic, they took other jobs; by the 1970s, Siegel was working as a mail clerk. In 1975 a lawsuit they filed against DC Comics was settled in their favor, giving Siegel and Shuster both money—$20,000 a year each for the rest of their lives—and credit. Now the phrase “Superman created by Jerry Siegel and Joe Shuster” appears on all Superman-related products.
Image by Bettmann / Corbis. Jerry Siegel, left, and Joe Shuster met in high school and after the two came up with the idea of a comic book hero, Siegel took control of the venture and concocted a romantic origin story for Superman. (original image)
Image by Jim Bowers, CapedWonder.com. A seventh poster at the former Shuster residence proclaims, "On this site once stood the home where Superman was turned from words into pictures... With the creation of Superman, these two friends showed the world that the most ordinary of us can turn out to be the most heroic." (original image)
Image by Jim Bowers, CapedWonder.com. The Glenville Community Development Corporation took charge of restoring Siegel's house. They repaired the roof, siding, landscaping and painted the house Superman blue and red. A plaque was also installed to honor Siegel. (original image)
Shortly after Siegel and Shuster died in the 1990s, a similar struggle for recognition of Superman’s creators took place in Cleveland. Michael Sangiacomo, a comic books critic and a reporter for Cleveland's The Plain Dealer, called on the city to honor Siegel and Shuster. Nothing came of it. Every few years he would trot the idea out again, writing an article calling on Cleveland to honor the pair. “I pointed out that the Siegel house was here [the home of Joe Shuster had been torn down], and that is the home of Superman, and the city should do something.”
In his will, Siegel asked that half of his ashes be donated to the city of Cleveland; his widow also wanted to donate some of his belongings to the city, such as his typewriter. She visited Cleveland to find a home for them, and Sangiacomo escorted her around town. “Nobody wanted them,” he remembers. “It was a low point. I felt horrible for her and mad at the city.”
Meanwhile, the old Siegel house was falling into disrepair, as was Glenville. Kimberly Avenue, where Siegel lived, has few longtime residents—there were 11 abandoned houses on the boys’ block alone—but Hattie and Jefferson Gray, the couple who lives in Siegel’s old house, have owned it for decades.
Visiting comic book writers and fans often asked Sangiacomo for a tour of the Siegel home, and he would drive them by the place. Two years ago, he took best-selling thriller and comic book writer Brad Meltzer by the house, and the pair was invited inside. After seeing the condition of the interior, Sangiacomo says, “I realized we had to do something.”
Sangiacomo and Meltzer decided to raise money to restore the house. Melzer uploaded a video of himself at the house that went viral. He followed by sponsoring an auction of comics-related art, raising over $100,000 in the process. Sangiacomo and Meltzer formed the nonprofit Siegel and Shuster Society, and asked the Glenville Community Development Corporation to take charge of restoring the house, in partnership with the Grays.
According to Tracey Kirksey, executive director of the Glenville CDC, her group offered to buy the home from the Grays. But “they have lived there for over 20 years and were not interested in selling the family home to us.” Before the Glenville CDC proceeded with repairs, though, the Grays agreed to give the group first right of refusal should they decide to sell.
The Glenville group took charge, hiring contractors to repair a leaky roof, redo the siding, improve the landscaping, and paint the house Superman blue and red. A plaque was installed honoring Siegel. Written by Sangiacomo and Meltzer, the plaque says that Siegel “was a teenaged boy who lived here during the Great Depression.” “Jerry wasn’t popular,” it continues. “He was a dreamer, and he knew how to dream big.” The plaque ends with the aphorism, “[Siegel and Shuster] didn’t just give us the world’s first super hero.…They gave us something to believe in.”
Proud of the house’s historical importance, the Grays participated in the 2009 ceremony to unveil the plaque, which was affixed to a steel fence (for the Man of Steel) with a large red Superman shield at its center.
Where the Shuster house once stood, the Glenville group installed another fence with six poster-size reproduced plates of the first appearance of Superman in Action Comics #1. A seventh poster proclaims, “On this site once stood the home where Superman was turned from words into pictures.… With the creation of Superman, these two friends showed the world that the most ordinary of us can turn out to be the most heroic.”
The city finally took notice. Tracey Kirksey had been trying, like Sangiacomo, to have the city tear down abandoned houses, “but it never seemed to be a priority.” With the Siegel house restored, the city has now demolished seven houses on Kimberly Avenue, Kirksey says, and is now looking to “green-up the lots and replace those houses with new developments.”
The Siegel house is still owned by the Grays and not open to the public, but Sangiacomo hopes it may one day become a museum. “I’d love to turn it into a mecca for comic book lovers from across the world, into a place where people visiting the city could come and walk through it and see where Jerry created Superman, to turn it into something Cleveland could be proud of.”
Kirksey has more ideas, too, such as a permanent sign at the Cleveland airport, or a Superman statue. The best spot for such a statue? Perhaps downtown, underneath the place where the billboard of LeBron James once hung.
“Mr. Presley has no discernible singing ability.” So says the New York Times about Elvis Presley’s June 5, 1956 appearance on the Milton Berle show. The gyrating Presley is called “the virtuoso of the hootchy-kootchy.” With hits like Heartbreak Hotel and Hound Dog already under his belt, the singer whose voice is an “unutterable bore” need not have worried about the less than enthusiastic reviews. Presley will go on to earn 97 gold records.
June 1, 1938: Soaring into History
June 1, 1938, Superman makes his debut on the pages of Action Comics #1. Creator Jerry Siegel confesses that the inspiration for his superhero fantasy was the artist’s own teenage torments: “I had crushes on several attractive girls who either didn't know I existed or didn't care. Then it occurred to me: what if I had something going for me, like jumping over buildings or throwing cars around?” The man of steel will come to humanity’s aid once again, on the big screen in “Superman Returns,” opening June 30, 2006.
June 2, 1956: Game, Set, Match!
A week after becoming the first African-American to win the French championships, Althea Gibson wins the Surrey lawn tennis championships in England June 2, 1956. Despite the fact that she looks “bad on her backhand shots,” reports the Washington Post, “her long reach and superior strength” pays off. A month later Gibson will make history again by becoming the first African-American to win a Wimbledon championship by capturing the doubles title with her partner, Angela Buxton. Before her induction into the International Tennis Hall of Fame in 1971, Gibson will win 11 major titles.
June 3, 1989: Uprising
For seven weeks, thousands of demonstrators demanding democratic reform gather in Tiananmen Square in Beijing. In response, the Chinese government declares martial law and orders the People’s Liberation Army to forcibly remove the unyielding protesters. On June 3, 1989, tanks lumber into the plaza. Says one observer: “The citizens have gone crazy. They throw themselves in front of the tank.” Soldiers open fire on unarmed civilians. The next day, after hundreds have been killed and thousands more injured, the government declares that it has crushed the “counter-revolutionary rebellion.”
June 4, 1998: Locked Away
Three years after a bomb destroys the Alfred P. Murrah Federal Building in Oklahoma City, killing 168 people, a federal judge sentences Terry Nichols to life in prison June 4, 1998, for his role in the deadliest home-grown terrorist attack on American soil. The mastermind of the bombing, Timothy McVeigh, was previously sentenced to death. Nichols does not comment about the sentence but his brother says that Terry is “upset, because he’s innocent.” McVeigh is executed by lethal injection on June 11, 2001; Nichols remains in prison today.
Swingin' [sound recording] : big band swing and jazz from the 1930s and 1940s / compiled and annotated by Samuel Charters
FRANKIE TRUMBAUER AND HIS ORCHESTRA: Trumbauer, Alto Saxophone; Nat Natoli, Charlie Teagarden, Trumpet; Jack Teagarden, Trombone; Benny Bonaccio, Charle Strickfadden, Clarinet and Alto Saxophone; John Cordaro, Clarinet and Tenor Saxophone; Roy Bargy, Piano; Dick McDonough, Guitar; Art Miller, Bass; Herb Quigley, Drums.
PAUL WHITEMAN AND HIS ORCHESTRA: Nat Natoli, Charlie Teagarden, Harry Goldfield, Trumpet; Jack Teagarden, Jack Fulton, Trombone; Benny Bonaccio, John Cordaro, Charles Strickfadden, Frankie Trumbauer, Reeds; Kurt Dieterle, Mischa Russel, Matty Malneck, Harry Struble, Violin; Roy Bargy, Piano; Mike Pingatore, Guitar; Art Miller, Bass; Larry Bomar, Drums.
PHIL HARRIS AND HIS ORCHESTRA: Jack Holmes, Ray Wagner, Glen Brock, Trumpet; Irving Verret, Floyd O'Brien, Bill Fletcher, Trombone; Jack Mitchell, Earl Evans, Jack Echolls, Joe Huffman, Reeds; Charles Bragby, Piano; Skippy Anderson, Piano and Arranger; Frank Remby, Guitar; Stan Fletcher, Bass; Sid Jacobs, Drums; Phil Harris, Vocal.
GENE KARDOS AND HIS ORCHESTRA: Sid Peltyn, Sammy Castner or Red Rosenberg, Trumpet; Milt Shaw, Trombone; Jule Friedman, Gabe Belinas, Reeds; Joel Shaw, Piano; Sam Weiss, Drums; Unknown Guitar and Bass; Gene Kardos, Vocal.
PETE BROWN AND HIS JUMP BAND: Pete Brown, Alto Saxophone; Benny Carter, Trumpet; Joe Marsala, Clarinet; Billy Kyle, Piano; Bobby Hackett, Guitar; Cozy Cole, Drums; Hayes Alvis, Bass.
RAY MCKINLEY'S JAZZ BAND: George Thow, Trumpet; Joe Yukl, Trombone; Skeets Herfurt, Clarinet; Joe Sullivan, Piano; Jim Taft, Bass, Ray McKinley, Drums.
BOBBY BYRNE AND HIS ORCHESTRA: Robert Peck, Bobby Guyer, Trumpet; Bobby Burne, Ben Long, Dan Matthews, Trombone; Jack Torchin, Jerry Yelverton, Bunny Bardarch, Don Byrne, Reeds; Bill Davies, Piano; Joe Gibbons, Guitar; Abe Siegel, Bass, Wes Dean, Drums.
PHIL NAPOLEON AND HIS ORCHESTRA: Phil Napoleon, Warren Hookway or John Asevedo, Trumpet; Ted Raph, Trombone; Carroll Thorne, Carl Irish, Frank Ward, Reeds; Frank Vigneau, Piano; Dave Skine, Banjo; Al Kunze, Tuba; Charlie Jondro, Drums.
HUDSON-DELANGE ORCHESTRA: James O'Connell, Steve Lipkins, Ralph Hollenbeck, Trumpet; Edward Kolyer, Trombone; George Bohn, Hugh Hibbert, Pete Brendel, Ted Duane, Reeds; Mark Hyams, Piano; Cliff Rausch, Guitar; Doc Goldberg, Bass; Edward O'Hara, Drums.
GENE KRUPA AND HIS CHICAGOANS: Nat Kazebier, Trumpet; Joe Harris, Trombone; Benny Goodman, clarinet; Dick Clark, Tenor Saxophone; Jess Stacy, Piano; Allen Reuss, Guitar; Israel Crosby, Bass; Gene Krupa, Drums.