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Found 50 Collections

 

Harlem Renaissance

This collection helps guide students as they learn about the Harlem Renaissance. There are 3 steps to the lesson:

  1. As a class, students use the "see, think, wonder" visual thinking routine to analyze a painting.
  2. Students watch a video and answer questions about the Harlem Renaissance.
  3. Students individually analyze 6 examples of art from the Harlem Renaissance, including paintings, music, and poetry and connect each piece to the historical context.

Michelle Moses
9
 

Access Series: Nostalgic Popular "Pop" Culture

This inspiration collection of nostalgic popular "pop" culture from the 1950s, 1960s, 1970s, 1980s, 1990s and 2000s—super heroes and super villains, Muppets, cartoon characters, Star Wars, Disney and Pixar characters, Transformers, and movies was used for a collage activity and discussion prompt in an informal learning activity, "Me & My World: Personal Ecology/Interest Inventory" with a group of teens with cognitive and intellectual disabilities. Students were asked about their favorite pop culture influences from the past and present. Use the visible thinking routine, "See|Think|Wonder" as a starting point for a discussion prompt, and the images for inspiration.

Tags: decision-making, self-determination, student empowerment, disability, All Access Digital Arts Program

Tracie Spinale
95
 

Access Series: Nostalgic Popular "Pop" Culture 1950s-2000s

This inspiration collection of nostalgic popular "pop" culture from the 1950s, 1960s, 1970s, 1980s, 1990s and 2000s—super heroes and super villains, Muppets, cartoon characters, Star Wars, Disney and Pixar characters, Transformers, and movies was used for a collage activity and discussion prompt in an informal learning activity, "Me & My World: Personal Ecology/Interest Inventory" with a group of teens with cognitive and intellectual disabilities. Students were asked about their favorite pop culture influences from the past and present. Use the visible thinking routine, "See|Think|Wonder" as a starting point for a discussion prompt, and the images for inspiration.

Tags: decision-making, self-determination, student empowerment, disability, All Access Digital Arts Program

Susan Ogilvie
97
 

Winter Scenes

These pictures are to be used as a writing catalyst for writing club. Pick one to do a See / Think / Wonder as a whole group. Then students can complete their own individual ones. These pieces offer a variety of interpretations about the season of winter which may serve as an inspiration to write winter poetry.

Suggestion: You may also play an excerpt of Vivaldi's Four Seasons during this activity.

Yolanda Toni
42
 

Destination Moon: Apollo Around the Country

This collection explores regional contractors that contributed to the Apollo Program. Union Carbide, North American Aviation, and RCA are just three of the many private firms that contributed goods and services to NASA during the race to put a man on the Moon. 

Have students examine the map of NASA contractors. Ask: 

  • What companies do you know? 
  • Which are closest? Farthest away?
  • What do you wonder about these companies? Their locations? 

Have students investigate the images in the collection. Discuss: 

  • What do you see? What do you think about that? 
  • What types of products or materials were needed on the Apollo mission? 
  • How did companies take advantage of their association with Manned Spaceflight? 

Using the map, encourage students to find items produced by other manufacturers on this database by searching the manufacturer name. Compare the products associated with different companies - what types of products do they see, and what types of products are missing? Are there advantages to having certain things produced closer to the launch site? What types of items could be produced farther away? 

Invite students to find other Apollo-related advertisements from the period using the Internet. What can be said about these advertisements? 

Invite students to create their own advertisement based on the items they find here, as well as research about the NASA-contracted company. 

Christina Ferwerda
12
 

China’s Terracotta Army: Introduction to China’s First Emperor and the Terracotta Army

In this activity, students will learn about the life, achievements, and historical legacy of the First Emperor of China, Emperor Qin Shihuang (259 – 210 BCE). In order to understand why he, and the developments he shaped, are so historically significant, students will explore objects from the Qin (221 – 206 BCE) and Han (206 BCE – 220 CE) dynasties and use information learned to create arguments about the past. This collection is Part 1 in a series of collections created for a social studies classroom; for more information, click “Read More ».”

Objects found in Emperor Qin Shihuang’s elaborate tomb complex, which covers a total area of 17.6 square miles, make up the majority of surviving objects from this significant period in Chinese history.  They are some of the greatest tools researchers have to understand the spiritual beliefs, military practices, and values of the ruler responsible for unifying China for the first time in its history. 

Authors of this collection are the Emperor Qin Shihuang’s Mausoleum Site Museum, the Smithsonian Center for Learning and Digital Access, and the Smithsonian’s Freer Gallery of Art and Arthur M. Sackler Gallery.

Tags: archaeology; archaeologist; ancient history; artifact; afterlife; funerary practices; burial; death; spiritual beliefs; military; soldier; sculpture; chinese; world; asia; asian; xi'an; empire; leader; see wonder connect; headlines; strategy; project zero; visible thinking routine; terra cotta; qin shi huang; shihuangdi; shi huang di; earthenware; ceramics

Tess Porter
9
 

China's Terracotta Army: Exploring Artistic Practices

In this activity, students will analyze figures from the Terracotta Army, made for China's First Emperor, Qin Shihuang (259 – 210 BCE), in order to explore the artistic practices of a newly unified China during the Qin dynasty (221 – 206 BCE). Students will explore the elements of art and principles of design used in the terracotta warrior figures before designing their own papercraft terracotta warrior.

The Terracotta Army, a group of approximately 7,000 life-size terracotta warriors and horses, was created for Emperor Qin Shihuang to form a small part of his elaborate tomb complex. These figures are significant not only because of their artistic realism, detail, and diversity, but also because of their rarity – the majority of surviving objects from this time period have been found in Emperor Qin Shihuang's tomb complex.

Authors of this collection are the Emperor Qin Shihuang’s Mausoleum Site Museum, the Smithsonian Center for Learning and Digital Access, and the Smithsonian’s Freer Gallery of Art and Arthur M. Sackler Gallery.

Tags: archaeology; archaeologist; ancient history; artifact; afterlife; funerary practices; burial; death; spiritual beliefs; military; soldier; sculpture; chinese; world; asia; asian; xi'an; empire; see wonder connect; project zero; visible thinking routine; strategy; maker; art making; papercraft; terra cotta; shihuangdi; shi huangdi; shi huang di; earthenware; ceramics

Tess Porter
20
 

Telling Edward Hopper's Untold Stories

This lesson was designed for the 6th grade language arts class. The purpose is to review with students the key elements of a story and to position them to create a short story based on one of the works of Edward Hopper. Our end products will be collected into an ebook of Hopper’s works and the possible backstories behind them as written by the students.
In the class meeting prior to these activities the students will have participated in a videoconference with a SAAM representative who will explain the ways an artist uses color, shape, line, form, etc. to convey meaning. Earlier in the year, students will have been exposed to elements of a story. Their understanding of these will be reviewed and reinforced through these activities.
Three days of activities outlined in the Lesson Concept document. They include activities related to close looking and incorporate the Visual Thinking Strategies (VTS) of "See, Think, Wonder" (STW), the "I Used to Think...But Now I Think" strategy, and the "Collaborative Poem" strategy (CP).
Keeping the middle school students' needs and interests in mind, I have incorporated group work --both large and small groups-- and hands-on activities that respect their need to move around.

Peggy Veltri
21
 

The Amendments

Students will make connections between art and the literature we read in class to the concept of Truth and Justice.

Students will first do a whole class See / Think /Wonder on Amendment 8 by Mark Bradford. They then will choose or be assigned to an amendment and artwork that they will research further. By answering their own See / Think / Wonder about the artwork they will connect meaning of the artwork to the words of their amendment. They will then do further reading and research on their amendment by going to the provided links. Student will answer questions via their class link on the Learning Lab or on the Google Docs document in their online folder.

**The Rockwell painting will be assigned to Amendment 1, Westward Course to Amendment 2, Training for War to Amendment 3 and Independence to Amendment 4.


Yolanda Toni
12
 

Louise Nevelson

Did you know that Louise's dad owned a lumber yard? No wonder she enjoyed creating wood assemblages.

Look at a selected sculpture with a partner and discuss:

  • What do you see?
  • How is it arranged?
  • What does it make you think of?
  • What kind of meaning or story can you find in the sculpture?
  • How did Louise unify her sculptures? (UNITY is when all the parts work together to create a cohesive artwork.)

Jean-Marie Galing
15
 

The Global Implications of HIV/AIDS

This activity can be used on its own or as a starting point for an interdisciplinary exploration of the global implications of HIV/AIDS.

This collection includes a three-part activity that can be modified by choosing to spend more or less time considering other viewpoints on HIV/AIDS. It uses Project Zero Thinking Routines and several images that allow students to explore multiple perspectives on HIV/AIDS. I have also created a separate collection with more images that could be used as starting points for further conversation called “The Global Implications of HIV/AIDS - An Interdisciplinary Exploration.” 

The focus of this particular collection is to allow students to begin exploring at the individual level and then keep zooming out to the global level to engage with HIV/AIDS as a global issue.

Part I: The individual and Individuals within a Society

Using a work by Felix Gonzalez-Torres and the Project Zero Thinking Routine “See, Think, Wonder,” students can begin the conversation about the toll of HIV/AIDS on the individual level. Depending on student comments, this could also involve individuals within a society.  The video included here could be shown as a follow-up explanation or could simply be used to help the teacher and not shown to students. The images of the quilt panel and the poster could both be used with the Project Zero Thinking Routine “Circle of Viewpoints” to help further the society or systems approach. These images allow students to explore the political complexities and how this can directly impact individuals within a group. Again, the video included could be used to enhance teacher and/or student knowledge.

 

Part II: Engaging in conversations about Society and Global Issues

Students will use the Project Zero Thinking Routine “See, Think, Wonder” to explore the Gapminder HIV Chart graphic (axes have been removed). If the group of students you are working with have less experience with thinking routines in general or are less inclined to take risks in sharing out, skip to the original version of the Gapminder HIV Chart graphic instead. At either starting point, more information can be revealed as students pose thoughts and wonders about the data provided. The link to the TedTalk can help students better understand what the graph is showing and perhaps be another starting point for a dialogue on the complexities of HIV/AIDS.

 

Part III: Reflection

There is some reflection built into the “Circle of Viewpoints” Thinking Routine but it is worthwhile to also reflect at the end of the activity. I have provided the Project Zero “I used to think…But now I think” Thinking Routine slide but a teacher could also choose to return to the Wrap Up questions provided from the earlier “Circle of Viewpoints” Thinking Routine and revisit what the students had mentioned from Part II. 

Emily Veres
13
 

Exploring Identity: How can portraiture conceal or reveal?

What is identity? How is it constructed? These activities investigate how portraits can conceal or reveal aspects of identity. How does the artist choose to portray an individual? How does the sitter choose to be shown?

This collection includes a three-part activity that can be modified by choosing to spend more or less time sharing out as a group. It begins with a discussion about identity, using the Chalk Talk Thinking Routine and a comparison of two portraits to further push students' thinking on how portraiture can both conceal and reveal aspects of identity. In the next parts of the activity, students are able to choose from a variety of portraits for individual reflection and then come together as a group to discuss a larger work to about culture and identity. Several Project Zero Thinking Routines can be used to stimulate and record thinking. 


Part I: Chalk Talk and comparing portraits

Students participate in the Chalk Talk Thinking Routine using the questions provided. A quick gallery walk where students circulate and read all responses can allow the class to get a feel for the many (or singular) perspective(s) of identity. Using the See-Think-Wonder Thinking Routine, students compare and contrast two portraits: LL Cool J by Kehinde Wiley and John D. Rockefeller by John Singer Sargent. Students can share with a neighbor and then out to the larger group or simply share out as a large group depending on class size, etc. 

 

Part II: Portraiture and Identity

Using the Individual Exploration of Portraiture worksheet, students can choose one image from the fifteen provided and spend some time exploring their selected portrait. Students can be given 5-10 minutes to interact with their chosen image. Using one of Roger Shimomura’s portraits, students will use the Unveiling Stories Thinking Routine to better understand the many layers to this work of art. Again, students can share out in pairs first or simply share out to the whole group depending on class size, etc.

 

Part III: Returning to chosen portrait and final reflection

Students will once again return to their selected portrait and complete the "second look" section of the Individual Exploration of Portraiture worksheet. A final reflection about identity and portraiture can be completed either as a group or individually using the I Used to think…; But Now I Think… Thinking Routine.

Emily Veres
23
 

Exploring the Science of skin color

What was the role of Science in the construction of race? How can various written works and works of art begin a conversation about race as a social construct? These series of activities allow for a dialogue about this complex issue.

This collection includes a three-part activity that can be modified by choosing to spend more or less time sharing out as a group and whether TED Talks are watched as a class or individually as preparation for class. 

Part I begins with a work of art to stimulate thought using the Project Zero Thinking Routine "See-Think-Wonder."  Students will then read an article and view an advertisement. Another thinking routine is used here to uncover the complexities of this particular advertisement. In the next parts, students view TED Talks followed by different kinds of media. Several Project Zero Thinking Routines can be used to stimulate and record thinking.

 

Part I: Identifying the focus and beginning a conversation

Starting with an artwork by Byron Kim and Glenn Ligon, students use the "See-Think-Wonder" Project Zero Thinking Routine to try and make sense of the image. After a class discussion, students should be guided to read a short article about skin-colored ballet shoes that would be more representative of the skin tones of actual ballet dancers. Teachers could choose to help students digest this article or move directly into the Ivory soap advertisement. Using the "Beauty and Truth" Project Zero Thinking Routine, students can uncover the underlying complexity of this image.

 

Part II: The evolution of skin color and telling the story of a work of art

After viewing the TEDTalk by Nina Jablonski about the illusion of skin color, students can reflect individually by answering the question "Why is it problematic to view race as a biological concept and categorize individuals based on skin color?" Then, using Project Zero’s "The Story Routine," students can create meaning for a work of art. Students can share out in pairs first or simply share out to the whole group depending on class size, etc.

 

Part III: Photography, an essay on color and race and a work of art from that essay

  Angelica Dass’s photography challenges how we think about skin color and ethnic identity. The TEDTalk describes her Humanae project and allows for further dialogue about the complexity of skin color. Teachers could choose to help students identify important aspects of the talk or move directly into silent reading of Zora Neale Hurston’s essay "How It Feels to be Colored Me." Students can use the "Step inside-step out-step back" Project Zero Thinking Routine to identify perspectives addressed in this essay. Glenn Ligon created a work of art using this essay and students can use this piece to further the conversation with the same thinking routine or simply as part of the reflection.  A final reflection about skin color and the social construct of race can be completed either as a group or individually using the "I Used to think…; But Now I Think…" thinking routine. Teachers should consider providing a more focused prompt that suits the goals/objectives of their lesson.

Emily Veres
12
 

Animals in Nature

Look at each scene of animals in nature and think about what they could be doing. What do you see? What do you think is happening or is going to happen? What does it make you wonder?

Katie Grywczynski
4
 

Hurricanes

Students will use the See/Think/Wonder strategy to make inferences about Hurricanes. 

Danielle Friend
5
 

Photography and Image Manipulation

Guiding Questions:

What should a photograph look like?

Why might someone want to alter, change, or edit a photograph? What is the goal?

What are the ethical considerations regarding image manipulation?

Time- 1-2 class periods with optional extension activities

This collection includes images related to the topic of image manipulation and artistic photography, and includes a lesson plan for teachers as well as images and students activities related to media literacy across the curriculum. The collection of images and articles is designed to facilitate conversations around how and why images might be manipulated and for what purpose. Discussion questions and thinking routines allow for students to critically analyze the images as whole group and in small groups to consider why and how a photographer or artist might alter an image. Extension activities and resources are also included.

Day 1:

Warm Up/ Engagement:

What should a photograph look like?

Have students do a think-pair-share together addressing the question. Alternatively, this could be done as a silent chalk talk.

Debrief as a group.

Background:

Discuss:

Why might someone want to alter, change, or edit a photograph? What is the goal?

Have you ever altered or changed a photograph? How? Why? (Think Shapchat, Instagram, Photoshop, etc.)

Is it ever a problem to manipulate a photography? Why?

As critical viewers of media and images, students should always consider the audience and purpose of photographs. For example, an artistic photograph doesn’t have the same audience or purpose as a journalistic photograph.

Explain to students:

We’re going to look closely at the work of two photographers (Jerry Uelsmann and Robert Weingarten) to see how photographers might manipulate their images (digitally or otherwise), why they might do this, and the effect it has on the viewer.

Close Looking:

Lead students through a discussion of one of Uelsmann’s images by looking closely at one image as a group using the Visible Thinking routine, “See Think Wonder.”

Discuss the photographer’s likely message, audience and purpose of the image. Then have students consider how Uelsmann might have created the image.

Then, read an article about Jerry Uelsmann in Smithsonian Magazine, “Before Photoshop.”

Debrief the article and have students journal on their reactions to Uelsmann’s quote, “The camera is a license to explore.”

Alternatively, students can read and discuss the article,"Photography Changes What We Think 'Reality' Looks Like."

Have students share responses with the group as a closing activity.

Day 2

Warm-Up: Recap learning/connections from last class.

Explain that in today’s class we’ll consider the work of another artist and photographer, Robert Weingarten. Weingarten’s work is a “non-traditional” form of portraiture. Before looking at his images, have students brainstorm their ideas on what is a portrait. Students could engage in the 3-2-1 Bridge Routine on this topic.

Close Looking:

Lead students through a discussion of one of Weingarten’s  images by looking closely at one image as a group using the Visible Thinking routine, “Zoom-In.” After looking at the image as a whole, have students consider the image as as whole using the “Connect-Extend-Challenge” routine.

Weingarten’s portraits of Colin Powell and Celia Cruz are linked in the collection.

Discuss the photographer’s likely message, audience and purpose of the image. Then have students consider how Weingarten might have created the image.

After discussing the image, watch the video about Weingarten’s process.  

If time allows, group students into small groups to visually compare/contrast the works of Uelsmann and Weingarten on chart paper.

Exit Ticket:

How do these photographs change your understanding of photography and what can be done with images?

I used to think…

Now I think….

Possible Extension Activities:

Have students create a composite image (surreal landscapes or portraits)  inspired by Robert Weingarten or Jerry Uelsmann with their own photographs and Photoshop.

https://www.youtube.com/watch?v=MmwrWCMdYqI

Have students explore other historical images that have been manipulated (intentionally or unintentionally) that are included in the collection.

Article on historical image manipulation from the ClickIt Exhibit

Have students look at the ethical issues in digitally manipulating photographs

https://www.commonsensemedia.org/educators/lesson/retouching-reality-9-12

Have students consider other ways in which the evolution of technology has influenced the images we create.

Using Agency By Design, a design thinking framework, have students complete the following activities:

Parts-Purposes- Complexities Routine-- Digital Camera

Take-Apart Activity w/ digital cameras/analog camera

Have students research different topics in the history of photography including camera obscura, daguerreotype process, Muybridge and moving images, and Kodak.

Readings/Videos:

Additional reading on Uelsmann:

https://www.digitalphotopro.com/profiles/jerry-uelsmann-the-alchemist/

Allie Wilding
29
 

Household Machines: I See Wonder

I See Wonder is a wonderful way to spark inquiry, analysis, and discussion. By visually exploring our images, you can bring the Smithsonian Libraries' collections into your classroom. Use I See Wonder as a morning exercise, a way to introduce a new topic, or to discover your students' interests. Share what you See. Awaken your Wonder.

Smithsonian Libraries
10
 

See Think Wonder: Images of Girls

How can we think about gender through cultural and social lenses? This image gallery invites students to explore gender identity. Using artful looking techniques, students can think critically about how girls are depicted around the world. This collection uses the Harvard Project Zero Visible Thinking routine, "See Think Wonder" for exploring works of art. This strategy encourages students to make careful observations and thoughtful interpretations. It helps stimulate curiosity and sets the stage for inquiry. 

Keywords: girl, woman, gender, identity, culture, history, advertisements, sculpture, art, anthropology

sheishistoric
24
 

The House on Mango Street pre-reading

A two-day lesson for middle schoolers to introduce some of the themes in The House on Mango Street through art representing Latino/a Americans in the 1900s.

tags: immigrant experience, culture, gender roles, women, class divide, jigsaw, see think wonder

#SAAMteach

Kim Clifton
11
 

​Native Americans and Manifest Destiny

A collection of images focusing on the Native Americans and their vanishing cultures due to Manifest Destiny.

Lesson Concept

Travis Meserve

Bowling Green High School, Bowling Green, KY

Grade levels: 9-12

11th grade American Literature Focus for English Second Language Learners

Lesson Time: 50 minutes

Procedure:

1.  Show the students a copy of the painting “Westward the Course of Empire Makes Its Way” by Emanuel Leutze (1861). Ask the students to spend a few moments observing the work in silence, noticing any details that draw their eyes.  Ask the students to let their eyes touch every part of the canvas/picture.

2. Using the teaching strategy “See Think Wonder” ask the students to volunteer details in the work that they see.  Ask them to describe only what they observe in the work (e.g. “I see a man in a fur hat holding a gun”). After the student makes a factual observation, ask the student “What do you see that makes you say that?” if the student says something that is not immediately obvious (e.g. the student sees a wooden sailing ship trapped in sea ice but describes it as a cabin).  Do not correct the student.  Let other students make observations and possibly correct each other through observation and discussion.  After the student is satisfied with an observation, follow up with the question “What do you think about that?” Allow the student to offer any interpretations of what the detail means for the content of the work, the tone, the theme etc.  Avoiding any value judgements, summarize back to the student his or her interpretation and evidential observations supplying any vocabulary the student might lack, asking for the student’s approval of the final summary. Continue this procedure until the students exhaust their observations or the class time restraints are reached.  Finally, follow up with the question “What does this work (or specific observation) make you wonder about?”

3. At this point, ask the students to note anything that they do not see but would expect to be represented in the scene.  Second Language Learners who have been in the USA for 2-3 years would probably have some general ideas about the history of the USA and may be able to offer such absences.  If not, the teacher may need to point out that no Native Americans appear in the main scene.  If the students do not notice the border of the work, point out that there are small scenes in the border that add content/connections to the main scene. Point out that two Native Americans appear there, small and crawling.

4. Ask the students to make a journal entry writing their thoughts about the work, specifically noting the Americans who are represented as moving across the land and the Americans who are not represented.

Extensions:

  1. If the students have enough command of the language, the teacher can discuss representing fact versus propaganda.  Discuss the painting as advertisement for the movement west despite its factual inaccuracies (e.g. the painting depicts California as visible from the Rocky Mountains although it is actually 1,200 miles away).  Contrast this with a handbill distributed in the Dust Bowl areas advertising workers needed in California to pick crops (in reality the number of workers was greater than the jobs available). A possible literary connection could be to The Grapes of Wrath.

  2. Use the painting periodically through the course of American Literature.  Students’ reactions to the work may evolve as they expand their ideas of American history, manifest destiny, and the immigrant experience.  Allow students to write new journal entries each time they revisit the work with new knowledge.  Discuss the dialogue that gets created between the artist, the work, and the viewer based on what the viewer brings to the experience.

Purpose

Objective: The student will be able to make a factual observation about the painting and offer interpretation (where possible) citing evidence from the work.

Follow-up lessons: On subsequent viewing of the work, the student will be able to identify themes in the painting that connect to texts from American Literature (e.g. attitude toward nature, the west, immigration, manifest destiny, etc.)

Rationale for using this artwork: The painting by Leutze encapsulates many themes that permeate American Literature and lends itself to an introduction to the course as well as an anchor for the course that will bear repeated viewing.

Rationale for the the methodology: The English as a Second Language student often does not bring a lot of background knowledge about American history or art.  The See-Think-Wonder technique allows the student to engage with the work as an expert would: one who makes observations and interpretations that allow claims backed by evidence.

Skills:

Differentiating Observation (fact) from Interpretation (opinion).

Making claims based on evidence.

Practice speaking in front of peers using the target language of English.

#SAAMteach


Travis Meserve
28
 

Tooker's "The Waiting Room" As a Window Into Theme and Tone

Students will begin by examining Tooker's "The Waiting Room" using the "See/Think/Wonder" methodology. Then, they will examine five poems and argue (using evidence from their chosen poem as well as the painting) which poem is closest in tone and theme to the painting. I've included additional images to further the discussion.

cf.porter
9
 

Artist Edward Biberman: See, Think, Wonder & Compare

Artful thinking routines to explore, critique, compare and contrast  two portraits  by the artist Edward Biberman from the National Portrait Gallery. #npgteach

Greta Schorn
15
 

World War II Propaganda

These pictures will be used to introduce a brief history of World War II before exploring communism with the novel Animal Farm. Students can either do one of the visual thinking strategies See / Think / Wonder or a Perceive / Know / Care About using the piece We Can Do It. The class can then proceed into the background overview of World War II.

As students read Animal Farm and study techniques of propaganda, students can then explore the other posters listed in this learning lab. They can first do the sorting activity to differentiate between the Soviet and American posters followed by the discussion about whether the posters more alike or more similar to each other. Connections to the novel can be made throughout this lesson.


Yolanda Toni
13
 

Saving & Sharing Cultural Traditions

Many modern Native Alaskans share their cultural traditions through dance, textiles, song and art. As you watch each of the three short videos, think about the following questions:

1. What do you see?

2. What do you think about that?

3. What does it make you wonder?

Cathleen Edwards
3
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